Chittorgarh’s pride: A witness to Rajasthan's epic saga
The roots of Rana Kumbha Palace trace back to the 8th century when it was initially built by Bappa Rawal, the founder of the Mewar dynasty. However, its true splendour with intricate carvings, towering pillars and sprawling courtyards was realised during the reign of Maharana Kumbha in the 15th century when the palace was rebuilt and expanded into the architectural marvel that stands today.
The palace has borne witness to pivotal moments in Rajput history. Legends abound of Rani Padmini performing Jauhar (self-immolation) along with other women within the palace cellars to escape dishonour at the hands of the invading forces of Alauddin Khilji in 1303 AD.
The palace also boasts a connection to Maharana Udai Singh, the founder of the magnificent city of Udaipur. Legend has it that he was born within the palace walls, and his life was saved by his courageous nurse Panna Dhai who smuggled him out in a fruit basket.
The palace was also the abode of the revered poetess Meerabai, whose devotion to Lord Krishna resonated through the very walls of this historic monument.
A masterpiece where sandstone sings a song of Rajput splendour
The allure of Rana Kumbha Palace lies not only in its rich history but also in its captivating architectural grandeur. Crafted from locally-sourced sandstone, this majestic palace epitomises the essence of Rajput architectural style. Its imposing rectangular structure rises with an air of power and resilience, adorned with intricate carvings and decorative elements that showcase the skilled craftsmanship of Rajput artisans.
One of the most striking features of the palace is its series of magnificent canopied balconies, supported by intricately carved pillars, offering a regal vantage point for observing court proceedings and public gatherings. The palace complex is accessed through two grand gateways – Suraj Pol (Sun Gate) and Tripolia Gate (Triple Gate), intricately designed entryways that served as portals to the opulent world within.
Within the sprawling complex, a network of interconnected buildings served various purposes. The Zanana Mahal, or women's quarters, provided private spaces for royal women, while the Kanwar Pada Palace likely housed princes. The Suraj Gokhra served as a lookout point, offering panoramic views of the surrounding landscape, while a dedicated Shiva temple within the complex reflected the religious beliefs of the Mewar dynasty. Additionally, the Diwan-e-am (hall of public audience) was the space where the king held court and met with his subjects.
