The "Palace of Clouds" earns its name
The story begins in the 17th century with Rao Ratan Singh, a Bundi ruler known for his appreciation of art and his desire to provide a haven for his family. Unlike other palaces built for official purposes, the Badal Mahal was envisioned as a luxurious escape. Commissioned by Rao Ratan Singh, the palace became a testament to his vision of a serene retreat standing tall in the midst of the clouds.
As you approach the Badal Mahal, you'll understand why it's called the "Palace of Clouds." Perched atop Taragarh Fort, the palace often appears shrouded in mist, creating an ethereal ambience that seems to detach it from the world below. This captivating sight must have surely impressed not only the royal family but also visitors throughout the centuries. One of the palace's most striking features is its panoramic terrace, which offers breath-taking views of the surrounding landscape, including the majestic Taragarh Fort and the tranquil waters of Nawal Sagar Lake. The palace also served as a venue for state celebrations and ceremonies, showcasing the grandeur of the Bundi court.
Brush with brilliance: Mural marvels await at the palace
Badal Mahal's architecture is an excellent fusion of Rajput and Mughal styles, characterised by its intricate carvings, delicate lattice work and vibrant frescoes. The palace is adorned with exquisite murals depicting scenes from Hindu mythology, royal hunts and courtly life.
The sole entrance to the Badal Mahal is marked by a porch on the south wall. As visitors step into Badal Mahal, they are transported back in time to an era of regal splendour and opulence. The palace's interior is adorned with intricate carvings, ornate arches, vibrant murals and colourful frescoes spread across five horizontal sections, offering a glimpse into the lavish lifestyle of the Bundi rulers.
The lowest section depicts no figures, while the second showcases a complete sequence of 36 Ragamala paintings, following the so-called “Painter’s system”, a unique style of Bundi.
The third section, slightly higher than eye level, features historical scenes. Notably, a 23-metre band portrays Rao Ratan Singh and his kin engaged in various sports and activities like elephant fights, a procession of elephants, an elephant chasing a horseman, various hunting scenes and polo.
The fourth section acts as a transition zone, leading to the elaborately decorated ceiling. The murals elevate Rao Ratan's status by placing him alongside revered figures, Europeans, and even the literary hero Madhava. A fascinating detail shows him in a court scene receiving a miniature painting from an artist. The depicted palace behind him strongly resembles the Badal Mahal itself, offering a glimpse into its 17th-century appearance.
The topmost section adorns the ceiling with a central dome flanked by cupolas. On the ceiling, there are paintings of ten incarnations of Lord Vishnu of Indian Mythology.
The Badal Mahal's murals represent a significant development in Bundi's artistic style, influencing later the Kota School of Painting.
