Witness the grandeur
As you approach the mausoleum, its white marble facade glistens in the sunlight, reflecting the grandeur and elegance reminiscent of its renowned counterpart in Agra. Intricate carvings and delicate minarets adorn this architectural masterpiece, captivating visitors with their intricate beauty. Step inside, and you will be greeted by the central tomb, a true marvel adorned with exquisite calligraphy and surrounded by intricate carvings. The tomb is a testimony to the opulence and artistic finesse of the Mughal dynasty.
Within the complex, you'll discover a serene garden with symmetrical layouts and graceful fountains, creating a tranquil oasis. Take a moment to wander through the gardens and appreciate their meticulously planned design, offering a perfect blend of beauty and serenity. The Bibi ka Maqbara not only enchants with its aesthetic appeal but also holds great cultural significance as a revered landmark in the region.
The mausoleum itself is a testament to the grandeur of Mughal architecture. Carved from pristine white marble, its walls and ceilings boast intricate designs and breathtaking motifs. The meticulous use of white marble and floral patterns exemplifies the distinctive characteristics of Mughal craftsmanship. Inside, the tomb of Rabia-ul-Daurani takes centre stage, surrounded by mesmerising carvings and exquisite calligraphy. The tomb, adorned with precious stones, stands as a testament to eternal love and devotion. Adjacent to it, lies the plain marble tomb of Aurangzeb, reflecting his frugal nature and preference for simplicity.
An intriguing aspect of Bibi ka Maqbara is the remarkable use of stucco for decoration. Crafted from plaster, this material creates intricate designs and carvings that have withstood the test of time. The high-quality stucco used in the mausoleum has retained its splendour for centuries, serving as a testament to the craftsmanship of the artisans.
A symbol of love
Commissioned by Aurangzeb in the late 17th century, this mausoleum stands as a tribute to his beloved wife, Rabia-ul-Daurani. Constructed between 1651 and 1661, its design draws inspiration from the world-famous Taj Mahal. Ata-Ullah, an architect from the Safavid Empire, crafted this architectural marvel, while his son, Qasim Khan Mirza, supervised its construction.