Named after river ‘Baghini’

The printing of Bagh Prints is said to have started by a community of Khatris, who migrated from Sindh in Punjab to a village called Bagh in Madya Pradesh, almost 400 years ago. The association of tigers (‘bagh’) with the dense forests surrounding the river (hence named Baghini), in which the fabric is washed multiple times to achieve a soft texture, also lends the name to the village and this textile craft. Bagh printing involves creating an array of dynamic floral and geometrical prints, using finely cut wooden blocks and vegetable dyes. The characteristic red, black and white used in the motifs are of immense religious and cultural significance to the Dhar tribe of Madhya Pradesh. The technique involves treating silk and cotton cloth with a blend of corroded iron fillings, alum and alizarin. A skilled craftsman then use wooden blocks to print the desired patterns on the treated fabric by hand. The final product is washed in flowing river water and sun dried for a perfect finish. It is believed that the minerals in the river water help enhance the colors of the fabric.

A Sustainable Craft

A reflection of the local culture and craftsmanship of the region, Bagh Prints represent a rich tradition of textile artistry that has been preserved and celebrated in the state for centuries. The use of natural colours, obtained from fruits and flowers extracts, adds to its aesthetic appeal. The prints are usually inspired by nature, wildlife and heritage. Some of the common motifs used are Genda (marigold flower), and Nariyal Jaal (inspired by the Taj Mahal). Today Bagh Prints are valued not just for their aesthetic appeal but also for its contribution to sustainable and ethical fashion practices.